In this series, I used found and archive photograph and I mix together with pet or wide animal images. The seamless transition between the images suggests that they are in one perspective. This was also a great opportunity to play with the different scales, giving an unusual humour to the pieces.
Without any time pressure, I spent days to find the right image combinations. The title is from a well-known movie from the ’80s (Honey, I Shrunk the Kids) that I loved to rewatch again.