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Creation descriptions

Hakka Impression – creation description, 09.11.2019.


B as Between – B as Balance


A structure row embedded in a series, it is model situation (e. g.: an operation managing visual elements as a group containing intellectual output. It is an operation row is causing visual output, or may work as a sharper and thicker creating method, than an artistic model visualizing sole completeness at all costs.

It came into existence with this method structure pictures not illustrative and not referential.The semiotic conglomerates of structures are elements ordered into sets considering their origin. The complex ones are created with an operation ordered beside these. In accordance with the operation they are also polished in form. The pertinence of the grouped elements and the operation affecting their meaning is the principles of the creator.

Their primary and direct meaning changes with the help of shifting, drifting, transparency, zoom and other variations. Their connotation unfolds in the existing series, due to the compositional structures that are hidden in different measures.


The basic structure of the poster is based on one of my series called Inventory – an interdisciplinary photo series of over 200 pieces about objects, mouning, and ever-disappearing time. They fill the main form with a letter B – like “thought tiles” - and fill the background in a smaller size. Balance between us, within us and on the surface...


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Pisa – Huqiu poster thesis

15.03.2019.


A structure row embedded in a series, it is model situation (e. g.: an operation managing visual elements as a group containing intellectual output. It is an operation row is causing visual output, or may work as a sharper and thicker creating method, than an artistic model visualizing sole completeness at all costs.


It came into existence with this method structure pictures not illustrative and not referential.The semiotic conglomerates of structures are elements ordered into sets considering their origin. The complex ones are created with an operation ordered beside these. In accordance with the operation they are also polished in form. The pertinence of the grouped elements and the operation affecting their meaning is the principles of the creator.


Their primary and direct meaning changes with the help of shifting, drifting, transparency, zoom and other variations. Their connotation unfolds in the existing series, due to the compositional structures that are hidden in different measures.


The main organizer principle on the poster was the 5.5 degree tilt angle of the Pisa tower, which is reflected by the angle of texture based filling of the typographic elements, supplemented by a different representation of them in repetitive size an orientation.




FERENC KISS’S POSTERS ARE INSPIRED BY MANY PEOPLE AROUND THE WORLD.

HE FOUND THE BEAUTY IN THE SYMMETRY, CENTERED FORMATION, SUBLIMINAL

COLOR PALETTE, SANS SERIF, ACTIVE WHITE SPACE, AND SIMPLE IMAGE. WE

DON’T NEED TO UNDERSTAND THE LANGUAGE, BECAUSE HIS POSTERS COMMUNICATE

OWN MESSAGE.

Albert Choi

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tervezőgrafikus művész
Szeged, Magyarország
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